Old medicine shelf

Something Called Qi

My friend made an appointment
with the city’s much acclaimed doctor of Eastern medicine,
way down on the Danforth above the Roots store.
He opened the session by counselling her vehemently
via his earnest translator
to keep the nape of her neck covered at all times
in order to guard against the marauders,
the incoming toxins.
She hadn’t even removed her coat.
This guy meant business.

First he asked her to stick out her tongue,
a diagnostic tool esteemed among Eastern prognosticators,
the sight of which prompted from him a harangue in Mandarin.
It seemed her tongue was seemingly the wrong color and texture,
not to mention tone,
this a sure-fire flag to her malaise,
something called her Qi entirely out of whack,
but you pronounce it chi.

The ancient art of cupping came next.
She followed orders, open to all of it ,
this woman who once scoffed at yoga, calling upon the ancients now,
flipping onto her back wordlessly, bare from the waist up.

The click and then the hiss of the Bic lighter
as the small discs of thick clear glass were heated,
then placed on her back in turn,
one replacing another in swift succession.

A lengthy script for a herbal concoction came next,
to be purchased in Chinatown,
Mondays and Wednesdays only.
And call first.

I used to think chemo was bad,
she joked to the doctor at their next session,
confessing she could not choke down
even one more drop of his prescribed brew,
its smell alone prompting memories of a dismal sheep farm
we had worked on together years ago in New Zealand.

The doctor’s final words were succinct:
No pepper, no spice, no hot, he admonished,
It takes time.
Time, he counselled, his hand upon hers,
clarifying for my friend what in the end
no one in the East nor the West
was able to give her.

February

January’s belligerent sister,
the more troublesome twin.
Its days are longer
But somehow colder.

It promises Monday delivery but doesn’t show.
Sullen, scheming in the corner of the playground,
It doesn’t play well with others.
It summons your worst.

It’s the oil pump that seizes just
As you’re merging on to the freeway.
Ragged cuticles and lizard skin.
Pulling tight turtlenecks over crackling scalps.

It leaves you asking why bother.
Its only job to send you back to bed.
The miser of light, master of mean.
The fortune cookie that gets you all wrong.

(Photo courtesy of James Wysotski)

selective focus photo of red rose flower

Smoke Signals

How can you not think of me
in winter
when afternoons dwindle on
in grayness
remembering our summers
spent wrapped together.

Not miss me late at night
in the absolute stillness
when nothing stands between you
and your memories of me.

Don’t you have moments
when the pain is too much
when you get tired of saying onwards
when you get tired of alone.

Don’t you yearn
to etch my name
onto frosted windows
carve it
into the bark of trees
trail it
in smoke across skies
shout it at will.

As if by doing so
I will magically come again
having been beckoned
with such longing.

grey microphone with lights in bokeh photography

The Delicate Dance

Poise and abandon.
The art of poetry demands both.
So much in life does.
The karaoke singer summons both and seizes the microphone.
The high diver, too, poised on the edge of the cliff,
the mortician as he confronts human carnage,
the golf pro stepping up to a five foot putt for the win.

It’s a high wire act
perfected, painstakingly,over time.
Remember that job you weren’t close to being qualified for,
you aced the interview.
The hospice nurse asks are you ready
and you don’t look down.
You lie, and say
yes.

Vivid red

Vivid Red

I received this framed portrait in the mail today from a friend of mine. She combined a photo of me with a poem written by my friend the writer Tia Finn. I will treasure this, always, as it was a gift that came straight from their hearts.

Writer and Poet

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Tricia McCallum

Always be a poet. Even in prose.
Charles Baudelaire.

In essence I am a storyteller who writes poems. Put simply, I write the poems I want to read.[…]

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