Pittsburgh or Penang

There are strangers who look at you like they know you
and the smell of a bar on a cold night is always the same
whether in Pittsburgh or Penang,
where we search for something to matter,
the faces we can trust until morning.
City streets at three in the morning are identical,
their shadowy passageways and slick pavement
advising caution.
You wander,
in search of the secret of those
who feel at home in the world,
marvelling at the ease of the small talker at a cocktail party,
who strides into the very middle of a room,
not just looking like he belongs,
but entirely convinced that he does.

~~ Tricia McCallum

Waystations

Waystations

The test results we await from teachers and doctors
are neither good or bad –
yet.
But we give that time away in worry,
the between time.
The tent posts of our lives, ever the attention whores,
the limelight stealers.
But it should count for something.
The dense weighty bud of the peony, its tight, shy secrecy
before its brazen unfolding.

Anticipation can be delicious,
the finale but a part.
Your wait for the bus at dusk in the cold
when a stranger mentions the bruised light in the sky.
That’s what he called it:
Bruised.

Pay day, two days away,
but while you waited,
those delicious dollar store finds.
Your long destination drive,
so full of discovery all on its own.
The café owner in Alameda with his Hollywood memorabilia.
And wasn’t Joan Crawford a firebrand.

I am always amazed when any of us are asked
what we value most
and we don’t say
instantly:
Time.

Boketo – To stare out windows without purpose.

Outside my window it’s never the same—
some mornings jasmine slaps the house, some mornings sorrow.
There is a word I overheard today, meaning lost
not on a career path or across a floating bridge:
Boketto—to stare out windows without purpose.
Don’t laugh; it’s been too long since we leaned
into the morning: bird friendly coffee and blueberry toast. Awhile
since I declared myself a prophet of lost cats—blind lover
of animal fur and feral appetites. Someone should tag
a word for the calm of a long marriage. Knowledge
the heat will hold, and our lights remain on— a second
sight that drives the particulars of a life: sea glass and salt,
cherry blossoms and persistent weeds. What assembles in the middle
distance beyond the mail truck; have I overlooked oceans,
ignored crows? I try to exist in the somehow, the might still be—
gaze upward to constellations of in-between.

Susan Rich

A Hallway in Moxy Berlin Ostbahnhof Hotel

Stay Awhile

The anonymity is only part of their appeal.
Each time you slide in the card key
you can create another whole new world
for the night.
Lining up your grooming aids just so,
turning down the bed’s overstuffed duvet in preparation,
the lap desk awaiting you.

When TV no longer appeals
and sleep doesn’t come
there is the late night trip to the deserted lobby,
and maybe a conversation with the bored, sleepy desk clerk
if he’s not too stoned
or depressed.
An apple from the garishly painted ceramic bowl,
not quite hot water for a tea to go
and the last copy of the local paper.
Uncanny
how they all read the same.

Folding the towels the next morning,
wou wipe the sink dry
before heading for the breakfast bounty
you know by heart,
closing the door so quietly behind you,
you might never have been here.

Final Destination - Poem by Tricia McCallum

I read my poem – If This Is Your Final Destination, Welcome Home.

Click to listen… https://youtu.be/C53vVIfxwdk

If This Is Your Final Destination, Welcome Home.

Always the smell of tiger balm
takes me back to Kuala Lumpur in 1980,
the sweltering airstrips,
the sea of expectant upturned faces
of the refugees waiting en masse
at the bottom of the plane’s stairs,
on their way to Canada
and to second lives.

Plane load after plane load,
week after week, four years running,
we ferried them across oceans.
After days and sometimes weeks in crowded buses
they waited to be next in line,
these survivors of Pol Pot and his merciless Khmer Rouge,
these survivors of unimaginable horror.
We delivered them to Montreal and to Toronto,
away from all they had known,
everything they owned in small tidy bundles at their feet.

We chose our words carefully for the interpreter,
Trying to prepare them in some small way
for what lay ahead.
Where do you begin?
How do you tell someone how cold feels?

We played them music we wanted them to hear,
hits of the day, Blondie, REO Speedwagon,
handed out sandwiches and Pampers and wet naps.
They in turn watched our every move,
accepted anything given to them, suspiciously at first,
then with vigorously nodding heads, pouring forth their thanks,
holding up their solemn, silent babies proudly for us to hold.

When the cabin lights dimmed,
hearing their guarded whispers to one another
sharing late night confessions in the dark,above the ocean,
these people for whom nothing on earth
could be surprising.

Even when I urged them up the aircraft stairs,
beckoned them toward me,
they held back, tentative,
and only when I descended the stairs
took the first of them by the hand,
would they dare take the first step
toward this unimaginable freedom.

I see their faces clearly now and I ask:
Who among us could possibly measure
the courage we asked of them.

Reading my poem “The Island Dog.”

 

The Island Dog

He is everyone’s;
Yet he is no one’s.
Vacationers arrive, discover him,
Dote on him for two weeks,
then disappear.

He is their holiday project
A story they’ll tell over dinner at home.
Some allow him in, to sleep at the foot of their beds,
to guard their front door,
Some even toy with the idea of a rescue,
Could we, should we? Shots? Papers?
Questions asked,
with the exuberance of the relaxed and the happy,
but as the time to leave draws near,
Reality encroaches, the idea stalls.

A new band takes their place,
The island dog waits,
Knowing it will take only one,
One, to give him a name that won’t change,
One, to call it out in the dark
should he wander too far.
One, to call to him
and him alone:
Come home.

If This Is Your Final Destination, Welcome Home

If This Is Your Final Destination, Welcome Home.

Always the smell of tiger balm
takes me back to Kuala Lumpur in 1980,
the sweltering airstrips,
the sea of expectant upturned faces
of the refugees waiting en masse
at the bottom of the airplane stairs,
on their way to Canada
and to second unimaginable lives.

Plane load after plane load,
week after week, three years running,
we ferried them across oceans.
After days and sometimes weeks
in crowded buses
they waited to be next in line,
these survivors of Pol Pot and
his merciless Khmer Rouge,
these witnesses of unimaginable horror.

We delivered them to Gander, to Montreal
and to Toronto,
away from all they had known,
everything they owned in small tidy bundles
at their feet.
We chose our words carefully
for the interpreter,
Trying to prepare them in some small way
for what lay ahead.

Where do you begin?
How do you tell someone how cold feels?
We played them music
we wanted them to hear,
hits of the day, Blondie, REO Speedwagon,
handed out sandwiches and Pampers
and wet naps.

They in turn watched our every move,
accepted anything given to them,
suspiciously at first,
then with vigorously nodding heads,
pouring forth their thanks,
holding up their solemn, silent babies proudly
for us to hold.

When we dimmed  the cabin lights,
hearing their guarded whispers
to one another,
sharing late night confessions in the dark
high above the ocean,
these people for whom
no sadness had gone unknown.

It was boarding them I remember most.
Even when I urged them
up the aircraft stairs, off the blistering tarmac,
beckoned them toward me,
they held back, tentative,
and only when I descended the stairs
took the first of them by the hand,
would they dare take the first step
toward this wild and inconceivable freedom.

I see their faces clearly now and I ask:
Who among us could possibly measure
the courage we asked of them.

At what cost?

I’ve been thinking about social media a great deal. It is an unequaled tool for writers, manna from heaven actually as a way to connect with readers, old and new. But at what cost, I wonder? In its formidable wake, what is it that we are relinquishing?  

Are we forsaking the art of conversation? The glorious handwritten letter that flutters through the mailbox? The relaxed, cozy, stop and chat????

Here is a poem that resulted from my musings:

 

Bowed in Prayer.

At the Olive Garden on a Friday night, on my own,

I have just ordered the Tour of Italy and

notice the family huddled into a booth across the way,

six of them, three each side,

their heads collectively bowed over a cornucopia of glowing electronic boxes,

their fingers tapping away at microscopic keys,

the light reaching up to their faces at speeds

impossible to imagine.

So enchanted is the group with the cavalcade of data

pouring forth beneath them that I count a full two minutes

before any of them notices the waitress,

standing waiting at the head of their table.

Shall I come back, she asks graciously,

exhibiting a patience far above her pay scale.

 

Yeh, the one nearest to her finally pipes up,

the closest he’ll come to a conversation all weekend, 

and he didn’t even lift his head to say it.

Writer and Poet

Tricia McCallum profile

Tricia McCallum

Always be a poet. Even in prose.
Charles Baudelaire.

In essence I am a storyteller who writes poems. Put simply, I write the poems I want to read.[…]

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