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Waystations

Waystations

The test results we await from teachers and doctors
are neither good or bad –
yet.
But we give that time away in worry,
the between time.
The tent posts of our lives, ever the attention whores,
the limelight stealers.
But it should count for something.
The dense weighty bud of the peony, its tight, shy secrecy
before its brazen unfolding.

Anticipation can be delicious,
the finale but a part.
Your wait for the bus at dusk in the cold
when a stranger mentions the bruised light in the sky.
That’s what he called it:
Bruised.

Pay day, two days away,
but while you waited,
those delicious dollar store finds.
Your long destination drive,
so full of discovery all on its own.
The café owner in Alameda with his Hollywood memorabilia.
And wasn’t Joan Crawford a firebrand.

I am always amazed when any of us are asked
what we value most
and we don’t say
instantly:
Time.

A poem by Tricia McCallum May 11, 2020. A parched windswept landscape in sepia tone with a large bare tree in foreground.

Evermore

There are absolutes.
Not just in physics, dogma.
Untrue is stronger than not true.
It seems the cat didn’t come back.
All boats do not rise.
Dreams trump wishes.
The light of a late November day prompts a very particular longing.
I always wish I had said something wiser.
I will never stop missing the mere sound of your voice.

Sunset at Hug Point, Oregon.

Alone Together

None of them ever read fiction
as far as I can remember.
If asked collectively they would no doubt respond
it is a waste of time.

It’s unlikely any of them read poetry
voluntarily,
couldn’t name a poet besides Longfellow
to save their lives.

The men that have come in and out of my life
leave me wondering what they saw in me.
Pragmatists every one,
I realize now.
Not one of them ever ached at a sunset.

Come and see it,
I would plead to each of them,
their unified voice calling back
wearily to me
from other rooms:
It’s just a sunset, Tricia,
There’ll be another tomorrow.

Vivid red

Vivid Red

I received this framed portrait in the mail today from a friend of mine. She combined a photo of me with a poem written by my friend the writer Tia Finn. I will treasure this, always, as it was a gift that came straight from their hearts.

man carries girl

Shared

Street smarts.
Left-handedness.
A tendency to sadness.
Fetal position sleep.
The way you dealt cards, precisely.
Turned the wheel of your car, hand over hand.
Things as microscopic as
The way you washed your face, methodically,
Patting it dry, never rubbing.
Staring intently at yourself in the mirror for a brief moment
Before folding the towel perfectly in half and returning it to the rack.
I stare too, fold the towel, thoughtfully.
I hear myself coughing when I rise.
I could be you.

I read my poem “Enough.”

 

She was impossibly beautiful, astoundingly poised. She was, on that summer evening as she stood by the camp fire, perfect.

There are moments in our lives that change us and how we see ourselves forever. There are also people that have that same effect on us. Yvonne who I write about here, was one of those people in my life.

Here is text of the poem:

Enough

A barbecue and swim after work had brought us together
around the campfire that summer evening,
An impromptu thing teenagers do best:
You bring the beer. I’ll bring the chips.

I watched her run up from the water laughing.
As I write this her name comes back to me: Yvonne.
Fresh from her swim she stood close to the fire
in her tiny yellow bikini
drying her waist-length sheet of onyx-colored hair with a towel.

She seemed so utterly assured of herself in the task at hand,
so composed for a young girl,
tossing her head languidly from side to side
then taking a large hounds tooth comb and slowly
pulling it through
that glorious hair of hers.

She must have known we all followed her every move,
couldn’t help but know it by the silence
that had enveloped her ritual,
the flames casting an unreal glow on that hair,
that perfect form and face.

The men particularly stared in awe
at this goddess from Okinawa
who’d ended up in our backwater
of all places,
in their midst.

I watched the men’s faces watching her
that night,
knowing even at 16 I would never possess the audacity
that was Miss Yvonne Tsubone’s that night,
and for as long as it lasted,
that which comes from sheer and absolute
physical beauty,
a calling card that says,
without words:
I am perfect just as I am:
what I am is
enough.

 

 

 

a poem by Tricia McCallum. April 12, 2020. Old photos in a shoe box.

Easter Morning, Once

A new dress, even if it had been my sister’s.
Helmet-like perms, and all of us
in soft white cotton gloves, with vertical ridges stitched in
above each knuckle, so they stood up,
like Mickey Mouse’s on Saturday mornings.
The matching hats were courtesy of Jackson’s Department Store’s bargain bin,
Fill a basket, five bucks out the door,
their out-sized pink and blue plastic daisies haphazardly attached,
head wear designed for the deranged.

Our conspiratorial looks as we were herded together
for the obligatory snapshot, sentries,
shivering,
on the stone steps after Mass,
the sunlight harsh on a still-frigid April morning,
our flimsy ethereal dresses of Swiss dot, atop stiff crinolines
lofting in the wind.

Embarrassed by my sturdy white knee socks,
I yearned for the silk stockings
worn by my older sisters, who flanked me.
The three of us stationed solemnly behind
our younger brother, happy to form his own line,
quietly proud of his clip on bow-tie and tartan vest
and perfectly pressed little wool trousers.

Chins up! Stand straight! came the reprimands,
but not one of us listened.
At least one child would turn her head away that day
just as the shutter clicked.
Another would squint unbecomingly against the glare.

And the third, the face of the third girl
would show to the camera a look of such sadness
as is unimaginable in one so young.

Now the photo retrieved, scrutinized,
one of dozens piled haphazardly
in this battered shoe-box,
the sorting job no one ever took on,
these celluloid witnesses to our lives.
Its edges scalloped like icing on a cake,
bearing hairline cracks, some of our heads and limbs
torn asunder,
the truest chronicle of those years,
forensic in its revelations,
bringing with it the simple message
that each of us might have done better
if we’d only known how.

A poem by Tricia McCallum. April 11, 2020. A bare light bulb.

Exactly When I Changed Everything

It was the night the water pump blew on my Datsun
To be exact.
Heading out in a sudden snowstorm late on a Sunday evening,
Leaving you standing at your apartment door in your bathrobe,
Me as independent as ever, you
As oblivious.
With a breezy “Drive Safe” your send-off.

In the elevator, seething
That you had allowed me to go.
Waiting, hoping
You would head me off
Like in the movies.

The gauges on my dashboard went haywire
Just as I was turning on to the freeway.
My temperamental car sputtered to a stop
On the snow clogged shoulder.
Flagging down a passing car, the wind biting,
Then the interminable wait for the tow truck.
Two guys in the front seat, smoking,
Black Crows blasting from the open windows.
Always the same two guys, it seems.

Hooking up the derelict car,
squeezing into the front alongside them,
Inching through the blizzard to the waterfront
To the only garage still open,
Where I rushed to the washroom in the back,
The predictable bare bulb over the nasty sink,
The walls lined with pornographic photos.

I slowly cleared away the grime from the mirror
Succumbing finally to tears
That would not be held back.
Despite my cloudy reflection
Staring back at me on that frigid night
In that repulsive back room,
I saw all too clearly
The wrong car,
The wrong guy,
The wrong life.

Writer and Poet

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Tricia McCallum

Always be a poet. Even in prose.
Charles Baudelaire.

In essence I am a storyteller who writes poems. Put simply, I write the poems I want to read.[…]

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Thanks for sharing

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