In a Maine Junk Shop

Others’ lives are on full display here.
Through the late afternoon
The light makes its way through motes of dust
Onto collection after collection.

The shrewd pickers look right past the string of musty pearls
That catch my eye,
Honing in instead on a pair of tiny opal earrings
With an eye to resale.
They know how this is done.

A table off on its own offers cloth-bound books
Arranged by colour.
Who would devise such bizarre cataloguing?
Pride and Prejudice propped up against
Walter Potter’s Curious World of Taxidermy,
With their similar covers of cherry red.

An exhibit of photographs comes next.
The people shown with seemingly little to smile about.
Matching sepia toned oval photos show three young girls, sisters it would appear,
The outer plastic sheath now splintered and yellowed.
Obscuring, endangering, what it was once
Meant to preserve.

The savvy pickers haggle now with the bored shopkeeper
But none seem the least concerned
About the back story. Who might the earrings have been worn by, I wonder.
What young girl’s hands carefully inserted the tiny buds?
Before what special evening.
What hopes lay in her heart as she descended the stairs for the dance.
Did she later tuck them away for a daughter
Who was never meant to be?

We want it all to mean something.
So we hold on to the unremarkable snapshots of those long dead,
A child’s single mitten,
An ancient love letter in painstaking calligraphic script.
A matted braid of strawberry blond hair
From whose head we shall never know.

man carries girl

Shared

Street smarts.
Left-handedness.
A tendency to sadness.
Fetal position sleep.
The way you dealt cards, precisely.
Turned the wheel of your car, hand over hand.
Things as microscopic as
The way you washed your face, methodically,
Patting it dry, never rubbing.
Staring intently at yourself in the mirror for a brief moment
Before folding the towel perfectly in half and returning it to the rack.
I stare too, fold the towel, thoughtfully.
I hear myself coughing when I rise.
I could be you.

Waiting Room

Lying there
amidst a scattering of pillows
flanked by your medications,
oblivious,
you seem more real to me than ever,
probably because a bed
was never able to contain you.
Before our feet were on the floor
we heard you mornings,
bustling in the kitchen,
radio on, the tea hot.

Small,
I remember stumbling to the washroom
in the wee hours, you as ever
in your chair across the living room,
smoke curling from your ashtray;
you’d look up from your book
and smile at me,
ten-thousand watts.

Through the years it seemed that
sleep was for other people.
It is your turn now –
nothing left to be done, nothing can be done.
Close your eyes, mother.
Someone else will turn out the lights.

Hands across a table.

Sit Down

Bricks and mortar aren’t what home is:
Granted.
Nor the things we collected,
displayed, lived with.
But isn’t it funny how
often it distills down
to that rickety table with the yellow Formica top
in the centre of our tiny kitchen all those years,
the one we picked up for a song
that no matter how carefully
we teased the two ends apart
would send out the same jarring screech
and how we’d all squeal in fright, as if on cue,
then laugh until it hurt,
before carefully inserting the battered extra leaf
to make room for more.

A poem by Tricia McCallum entitled Hard Won. Photo of a woman from behind climbing subway stairs.

Hard Won

There is no glory in suffering.
Father Blackwell got it all wrong.

Ask the young martyrs
How much good ever came from their deprivation,
Their unspeakable deaths.
The suicide bomber looking up at a cloudless blue sky on his final walk.
What is his family’s honor to him then.
My father, grasping at air for his tissue paper lungs,
Graciously succumbing,
What greater good was ever served.

The faithful dog who licks his master’s hand
Only to be beaten again.
The teenage mother who surrendered her baby girl from her hospital bed,
When she passes a young woman in a stairwell years later,
And stares into a face hauntingly like her own,

Ask her
As her heart breaks yet again,
Who did as she was told,
Where is the glory now?

a poem by Tricia McCallum. April 12, 2020. Old photos in a shoe box.

Easter Morning, Once

A new dress, even if it had been my sister’s.
Helmet-like perms, and all of us
in soft white cotton gloves, with vertical ridges stitched in
above each knuckle, so they stood up,
like Mickey Mouse’s on Saturday mornings.
The matching hats were courtesy of Jackson’s Department Store’s bargain bin,
Fill a basket, five bucks out the door,
their out-sized pink and blue plastic daisies haphazardly attached,
head wear designed for the deranged.

Our conspiratorial looks as we were herded together
for the obligatory snapshot, sentries,
shivering,
on the stone steps after Mass,
the sunlight harsh on a still-frigid April morning,
our flimsy ethereal dresses of Swiss dot, atop stiff crinolines
lofting in the wind.

Embarrassed by my sturdy white knee socks,
I yearned for the silk stockings
worn by my older sisters, who flanked me.
The three of us stationed solemnly behind
our younger brother, happy to form his own line,
quietly proud of his clip on bow-tie and tartan vest
and perfectly pressed little wool trousers.

Chins up! Stand straight! came the reprimands,
but not one of us listened.
At least one child would turn her head away that day
just as the shutter clicked.
Another would squint unbecomingly against the glare.

And the third, the face of the third girl
would show to the camera a look of such sadness
as is unimaginable in one so young.

Now the photo retrieved, scrutinized,
one of dozens piled haphazardly
in this battered shoe-box,
the sorting job no one ever took on,
these celluloid witnesses to our lives.
Its edges scalloped like icing on a cake,
bearing hairline cracks, some of our heads and limbs
torn asunder,
the truest chronicle of those years,
forensic in its revelations,
bringing with it the simple message
that each of us might have done better
if we’d only known how.

Funeral Sandwiches

 

It comes down to the ceremony now, the detail.

Pressing your shirt with the cutaway collar, not too much starch,

the way you liked it.

I sent the shoes that were a bit small,

but they were so fine-looking and you would approve.

At the last minute I remembered your favorite photo of all of us

for tucking into your suit jacket pocket.

 

Now to prepare the food for the mourners,

sandwiches to begin.

Made differently today,

the correct word is painstakingly.

The butter must be spread

to each and every corner of the bread,

sliced precisely

from freshly-baked loaves.

 

Heap both sides of the bread lavishly with spreads,

no scrimping.

No celery, you hated it.

Remove the crusts.

 

Assemble them ever so gently

before making the final cuts

into perfect quarters.

Clean the knife after each one.

Display them proudly

on my most treasured serving pieces.

And cloth napkins.

Only cloth.

 

All is ready.

Invite them in.

I’ll get this right

for all the times

I didn’t.

A poem by Tricia McCallum. May 8, 2020. P{rofile photo of a young ginger haired girl.

Phantom Pain

 
My womb lies intact, unused.
But on afternoons that stretch too long in gloom
I allow myself to imagine her.
Perhaps hair the color of cinnamon and a tendency to
sink into a slough of despond.
A writer, too, I wonder.
Or just as easily a short order cook, a firefighter,
a glassblower.
Her hair would probably have parted to the left,
her second toe longer than the first.
She’d need spectacles from day one,
have a weakness for blackberry jam, the minor chords,
night over day.
Odds on she’d be left handed 
and prone to itchy rashes that would randomly occur
and vanish the same way.
Her name would be Catherine like her grandmother’s.
She would be no one’s fool
and no one’s daughter. 

Writer and Poet

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Tricia McCallum

Always be a poet. Even in prose.
Charles Baudelaire.

In essence I am a storyteller who writes poems. Put simply, I write the poems I want to read.[…]

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