Goodbyes mostly, these days

A friend

I would have given my life for

without hesitation

now rushes me off the phone.

Makes excuses

we both would have scoffed at

once.

 

I listen, acutely,

for the slightest note of recognition

in her voice,

something that will tell me

she still remembers

us.

 

I wait, in hope,

to hear her simple acknowledgment

of our connection,

once so fierce,

so true.

 

Instead

I hear her distance.

I hear it

in every word she doesn’t say.

 

— Photo courtesy of Leslie Cudmore.

 

A Hard Candy Christmas

I am one of three people in the GTA who still send Christmas cards by post. The other two are 97 year old female twins who never married and live on the Danforth in the house they were born in.

I am an anachronism. And happy to be. In fact, it remains a favourite ritual of mine, despite the ridiculous amount of time and effort it takes, ranking right up there with baking my mother’s recipe for shortbread and preparing festive packages full of carefully chosen goodies for shipping overseas to friends two months in advance.

But my card-writing ritual doesn’t feel absolutely right unless I follow carefully prescribed motions: chalk it up to a heightened sense of occasion.

First, I prepare hot chocolate. I cannot address the first envelope without a mug of this at my side. And not from a package. I am talking real hot chocolate with whole milk and cocoa, boiled on the stove using a timer.

Then I put on six of my beloved mixed holiday CD’s featuring tunes no one admits to owning. Top of my list?  Kenny Rogers and Dolly Parton’s “Once Upon a Christmas,” with corny, wonderful tunes like “A Hard Candy Christmas.”

Second comes Andre Gagnon’s Christmas Album. (They actually used to call them “albums.”) It’s simply not Christmas season until I hear Gagnon and his sublime piano playing.

Next I clear my desk in order to begin arranging my supplies in an assembly line. Out first come my Sharpie Ultra-fine markers, lined up in red, blue and green, followed by Christmas stamps, sparkle glue, address labels and stickers. Yes, I said stickers. And no, I am not an elementary school teacher.

Over the years I’ve bought cards, ordered them online, and made my own from scratch, using just the right knife to create a classic ragged edge on thick cream-colored vellum.

I set out to make each card an event unto itself, a distinctly personal missive for everyone on my list. I include my favourite seasonal quotes and jokes and the occasional New Yorker cartoon, Christmas-themed of course.

One of the funniest ever: Two little girls are pictured chatting in the park. One says to the other: “I like the Easter Bunny: I find him less judgmental than Santa.”

And this one: Santa is stretched out on a psychiatrist’s couch and says to the doctor: “Sometimes I don’t read my mail.”

The piece de resistance: my sealing wax kit with my brass monogram tool, a treasured gift from a dear friend. Sealing letters this way is a 600-year old tradition, one that secured the confidentiality of important missives. Long ago, betrothals were pre-arranged. Therefore true words of love were covertly written and sealed so the recipient could be assured their passion was kept secret. Private political documents held an impression pressed over a strip of velvet. A broken seal implied broken trust … and no one of integrity would dream of tampering with the wax emblem.

It’s decadent and fun stamping the letter M in gold wax on the back of each envelope. It adds the final touch of elegance and tradition to my greeting.

There’s no one who doesn’t adore getting a big red envelope in the mail the week before Christmas, hand-addressed to them and embellished within an inch of its life.

And I love doing it.

Like Kenny and Dolly, it is the perfect pairing.

Permission Granted

This piece is so sublime I simply had no choice but to share it with you– thank you, dear David Allen Sullivan.

From time to time I will share other work here that I come across that stops me dead in my tracks.

Feel free to wander in any time for your poetry fix.

[divider type=”thick” spacing=”10″]

You do not have to choose the bruised peach
or misshapen pepper others pass over.
You don’t have to bury
your grandmother’s keys underneath
her camellia bush as the will states…

Read the full poem here.

Catherine and James McCallum

I visited my parent’s graveside yesterday

I was in my hometown again after many years to speak at a memorial of a dear high school friend, a soul mate of mine. I think we kept each other from going crazy in those early years.

The day following the event I left my hotel with a large coffee in hand and headed for the cemetery and a visit to my parents’ graveside.

It was a perfectly glorious day. Sun splitting the rocks, fall colours abounding in full splendor, a light breeze scattering the few clouds above.  I was the only person in the entire cemetery. Aren’t Sundays the day people visit these places? My only company was a symphony of bird calls from the forest behind the gravesites. I couldn’t have ordered better accompaniment for the visit.

I cleaned off the debris from their stone, now slightly weathered, laid down the small stone angel I had brought to place there, and sat down on my blanket, also brought for the occasion.

Where to start, mother and father? Mom, you’ve been gone 22 years, Dad over 20. Your grandchildren, some of whom you never met, are grown and thriving, and carry so many of your hallmark characteristics. Scott’s twin Brooke has your forthright manner, Dad, and no nonsense demeanour. But she still loves a good laugh, just as you did. Mom, I see your gentleness in Dana, and your disinclination to judge.

Father, you said we didn’t need a place to come like this, that we’d remember you without it, and of course you were right. But on a rare day like this it is a place to come and be alone with you. To just be.

I trace your names etched alongside one another on the stone.

Are you together in heaven too? I have no idea about any of that. But what a lovely thought. One I’ll hold on to, for today at least.

And while I’m at it I’ll think of you both deliriously happy, somewhere, beyond anything we know.

Wedding Cake

Once on a plane

a woman asked me to hold her baby

and disappeared.

I figured it was safe,

our being on a plane and all.

How far could she go?

 

She returned one hour later,

having changed her clothes

and washed her hair.

I didn’t recognize her.

 

By this time the baby

and I had examined

each other’s necks.

We had cried a little.

I had a silver bracelet

and a watch.

Gold studs glittered

in the baby’s ears.

She wore a tiny white dress

leafed with layers

like a wedding cake.

 

I did not want

to give her back.

 

The baby’s curls coiled tightly

against her scalp,

another alphabet.

I read new new new.

My mother gets tired.

I’ll chew your hand.

 

The baby left my skirt crumpled,

my lap aching.

Now I’m her secret guardian,

the little nub of dream

that rises slightly

but won’t come clear.

 

As she grows,

as she feels ill at ease,

I’ll bob my knee.

 

What will she forget?

Whom will she marry?

He’d better check with me.

I’ll say once she flew

dressed like a cake

between two doilies of cloud.

She could slip the card into a pocket,

pull it out.

Already she knew the small finger

was funnier than the whole arm.

 

 

by Naomi Shihab Nye

Leaving Westie Way

A backward glance…

Leaving Westie Way.

Why must it be

the most beautiful

the day we leave

for the last time,

autumn sunlight dappled just so,

never saw it ladled quite as deliciously.

The family of loons not seen all summer

now suddenly patrols the dock,

aloofly,

not wanting to seem

the slightest bit interested

in the ruckus.

The chipmunks will wonder, peevishly

where their nightly trove of Spanish peanuts has gone.

Grover the groundhog will sigh wearily at the prospect

of having to charm new owners yet again.

The male and female cardinal will look for us in vain on the front deck

after countless nightly visits,

and decree their human companions

to be fickle at best.

Taking our leave,

the dirt road behind us will unspool,

dustily, as always

and we may miss the new fawn

who pops her head out from the brush,

curious,

wondering at someone leaving such a place

when all around her is golden.

Any Heavens

If there are any heavens

my mother will all by herself

have one.

It will not be a pansy heaven

nor a fragile heaven of lilies-of-the-valley.

It will be a heaven of solid yellow roses

with sturdy thick notched stems

not prone to bending.

 

The blooms will be embarrassingly,

Sinfully fragrant, the size of

baseballs when fully blazing.

They’ll radiate light in their yellowness and

never die.

Washed Up..

When did everyone start washing with Purell

Every time you turn around?

As if we could prevent anything.

Stop germs

if they have any interest in us

whatsoever.

When did greeting cards start costing 12 dollars,

for real.

No one else notices:

The guy in front of me buys four.

Unfazed.

And while I’m at it

When

Did it become a crime to dress.

You’re so dressed up,

spat out

like the worst possible indictment,

And there is me.

The unforgivable,

in heels, and ok,

maybe

a sequined brooch.

 

Clearing.

Orphaned and standing in the rain

But it’s not as bad as it sounds,

I can hear Bonnie Raitt’s voice from a car

in the parking lot.

A kid just smiled at me

from his seat in a shopping cart.

No reason.

Just smiled.

The forecast is for better days.

I smiled back.

Rejection, the sting of same.

Just had a (gracious) rejection of my new poetry MS entitled “The Music of Leaving,” from the Brooklyn Arts Press, and (as I sob) I am still on the fence re the following:

Is an outright generic rejection easier to swallow than one that laments the decision and prompts you to continue writing? Not sure… I am leaning toward the former but the nettles of this one are still deeply imbedded.

So wanted a home there.

Onwards, of course.

But not quite yet…

 

Writer and Poet

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Tricia McCallum

Always be a poet. Even in prose.
Charles Baudelaire.

In essence I am a storyteller who writes poems. Put simply, I write the poems I want to read.[…]

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