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Finnegan Begin Again, a poem by Tricia McCallum

Finnegan Begin Again

Almost every seaside town in Ireland has one.
The resident canine.
The Duke of the Docks.
The Chairman of Chill.
This one answers to Finnegan.

No mutt more streetwise,
this is his turf.
He knows the ropes here,
just who is a soft touch,
who will chastise,
and who will give chase.

Finnegan makes his rounds daily.
First to Mrs. Tyrell’s Bake Shop for a day old bun.
If he’s lucky they’ve remembered him
at O’Riordan the Butcher’s with a decent bone.
Then it’s down to the rectory for a ladle full of yesterday’s soup
and a neck rub from Father Tam.

Afternoons mean dozing on the pier,
a sure-fire tourist draw.
His bedraggled coat brings out the mother in everyone, it seems.
By nightfall his belly is full.

He knows where he can keep dry and out of the cold.
Crafty is Finnegan.
And on frosty nights there are warm grates outside the pubs.
But there is no master awaiting him,
no hearth his very own,
Finnegan is no one’s and
his wise wee self sleeps alone.

Grey skies rolling in

I’m Not Sure

This November morning,
the bleak view out my window is the definitive study
in gloom.
Leaving me unsure whether to renounce the whole world
or fall in love with it forever.
Sleet wants to be snow. But snow would be the easy way out.
These leaden mornings grant us permission to bury our feelings
beneath heavy blankets.
But the toll is ultimately levied,
the brutality of these months,
at full bore,
biding time,
waiting to unleash all.

list of names partially blurred. One name must be important among the many.

It Comes Down to This

The myriad charts and graphs of CoVid cases and deaths are numbing. But they all come down to this: one person. One person lost forever to the ones who loved him.

One Name.

It is dizzying,
Numbing in truth,
Front page of Sunday’s New York Times,
One thousand names, printed in rows.
They blur together.
We shut down when faced with such staggering loss.

Among them, this one,
New father Israel Sauz, 22. Broken Arrow Oklahoma,
Who will never know the face of his son.
Israel Sauz, 22,
whose boy will take his first step without him.
And his first turn at bat.
Who will ask about the father he never knew,
To learn they shared a love for poetry,
And a mean curve ball.
That his father batted with his left hand just like him.
His father, Israel Sauz,
Whose poems went unwritten,
Israel Sauz,
Who never held his son.

Big Points for Trying

I was good to animals and small children.
Made room for the guy on the streetcar
who talked to himself.
Even gave him a few bucks.
But truth be told:
I never invited him home to tea.

Didn’t always take the easiest way,
but certainly enough times.
And, yes, vanity got in the way,
more than once —
the fight back from an ugly girlhood.

I frittered away talent,
pearls to swine, some might say,
churning out Annual Reports for rent money,
giving my all on corporate press tours,
with no energy left for the poem.
But a girl’s got to make a living
long seemed a decent excuse.

The world gives you too many reasons
to feel you’re not quite
good enough, talented enough.
accomplished enough.
And there was I —
Listening intently
to each
and every one.

photo of fallen leaves in autumn to accompany my poem about the ending of things

Out There

I just saw a man walking a raccoon on a leash.
I kick a pathway through the foliage to my front door.
So much needs tending.
A flurry of leaves follows me inside,
depositing the season deeply into every corner.
The slanted fall light is so harsh it seems it might lay bare
everything it touches.
And no forgiveness in it.
I smell the winter approaching.
Taste the metallic cold of it in my mouth.
I fear I may have lived my best years.

A Blessing

“They can hardly contain their happiness that we have come.”

This poem makes me cry. For the beauty and innocence of all animals everywhere. Wright’s way of creating a world within a few lines is simply magical. It can’t be taught. It can’t be learned. It is born within someone, I believe.

A Blessing
– by James Wright

Just off the highway to Rochester, Minnesota,
Twilight bounds softly forth on the grass.
And the eyes of those two Indian ponies
Darken with kindness.
They have come gladly out of the willows
To welcome my friend and me.
We step over the barbed wire into the pasture
Where they have been grazing all day, alone.
They ripple tensely, they can hardly contain their happiness
That we have come.
They bow shyly as wet swans. They love each other.
There is no loneliness like theirs.
At home once more,
They begin munching the young tufts of spring in the darkness.
I would like to hold the slenderer one in my arms,
For she has walked over to me
And nuzzled my left hand.
She is black and white,
Her mane falls wild on her forehead,
And the light breeze moves me to caress her long ear
That is delicate as the skin over a girl’s wrist.
Suddenly I realize
That if I stepped out of my body I would break
Into blossom.

Final Destination - Poem by Tricia McCallum

I read my poem – If This Is Your Final Destination, Welcome Home.

Click to listen… https://youtu.be/C53vVIfxwdk

If This Is Your Final Destination, Welcome Home.

Always the smell of tiger balm
takes me back to Kuala Lumpur in 1980,
the sweltering airstrips,
the sea of expectant upturned faces
of the refugees waiting en masse
at the bottom of the plane’s stairs,
on their way to Canada
and to second lives.

Plane load after plane load,
week after week, four years running,
we ferried them across oceans.
After days and sometimes weeks in crowded buses
they waited to be next in line,
these survivors of Pol Pot and his merciless Khmer Rouge,
these survivors of unimaginable horror.
We delivered them to Montreal and to Toronto,
away from all they had known,
everything they owned in small tidy bundles at their feet.

We chose our words carefully for the interpreter,
Trying to prepare them in some small way
for what lay ahead.
Where do you begin?
How do you tell someone how cold feels?

We played them music we wanted them to hear,
hits of the day, Blondie, REO Speedwagon,
handed out sandwiches and Pampers and wet naps.
They in turn watched our every move,
accepted anything given to them, suspiciously at first,
then with vigorously nodding heads, pouring forth their thanks,
holding up their solemn, silent babies proudly for us to hold.

When the cabin lights dimmed,
hearing their guarded whispers to one another
sharing late night confessions in the dark,above the ocean,
these people for whom nothing on earth
could be surprising.

Even when I urged them up the aircraft stairs,
beckoned them toward me,
they held back, tentative,
and only when I descended the stairs
took the first of them by the hand,
would they dare take the first step
toward this unimaginable freedom.

I see their faces clearly now and I ask:
Who among us could possibly measure
the courage we asked of them.

I read my poem “The Once and Future Beauty Queens.”

Click and listen here. https://youtu.be/6ujj9r1Ywho

Here is the poem’s text.

The Once and Future Beauty Queens.

At the A&P in my first part-time job
it was the full time cashiers I studied most.
They seemed savvy and
at 16 I was looking for ways to be.

I watched them on breaks from my corner perch
in the crowded airless lunchroom, upstairs in the back,
all smoking roll-your-owns, laughing nervously at the men’s crude jokes,
carefully picking stray flakes of tobacco off their crimsoned lips,
in this small northern town looks their only currency.

The older women like Evelyn were quiet, would light one off the other,
eyes on the clock, sullen,
counting down their moments of freedom
and how many they could power through before time was up.

Laughing the loudest was Shirley, the head cashier, smarter than the rest.
Her lipstick bled all day on a slightly trembling mouth,
her deep well of sadness pouring forth even as she laughed,
this one-time looker, this prom queen gone wrong.
The story went her husband beat her,
but never where the marks would show.

I can still smell the place,
the filthy overcrowded fridge packed with
meatloaf sandwiches and last night’s chili,
Dutch the butcher’s apron soaked in blood,
his cuticles caked red.

The sounds come back clearly too,
breaking apart our folded white cotton uniforms stiff with starch,
the click of the pricing guns resounding up and down the aisles,
the funereal clunk of time cards being punched at the top of the stairs,
the defeat in Evelyn’s voice over the crackling p.a. system,
calling wearily “All parcellers to the front.”

And how there was a pecking order to everything, even this:
How the prettiest girls were the first to get help at their tills,
young boys rushing into their stalls behind them,
as horses into gates,
eager to package groceries every Friday night
for the current beauty queens.

A poem by Tricia McCallum entitled Hard Won. Photo of a woman from behind climbing subway stairs.

Hard Won

There is no glory in suffering.
Father Blackwell got it all wrong.

Ask the young martyrs
How much good ever came from their deprivation,
Their unspeakable deaths.
The suicide bomber looking up at a cloudless blue sky on his final walk.
What is his family’s honor to him then.
My father, grasping at air for his tissue paper lungs,
Graciously succumbing,
What greater good was ever served.

The faithful dog who licks his master’s hand
Only to be beaten again.
The teenage mother who surrendered her baby girl from her hospital bed,
When she passes a young woman in a stairwell years later,
And stares into a face hauntingly like her own,

Ask her
As her heart breaks yet again,
Who did as she was told,
Where is the glory now?

A poem by Tricia McCallum May 11, 2020. A parched windswept landscape in sepia tone with a large bare tree in foreground.

Captive Audience

 

This is one in a series of pandemic poems I’ve written since my initial quarantine. Many of the pieces that have resulted are unlike anything I’ve written before but it’s entirely understandable, of course. These times are unlike any we’ve known before.

The title of the piece is “Captive Audience” and stems from a dream I had a few nights ago. My dream held the seeds of the ideas and images I express here but as ever it is an inexplicable combination of elements that conspire to inspire. I wish it was as simple as just recording a dream I’ve had, which has happened to many writers. Amazingly, Kubla Khan came that way to Samuel Taylor Coleridge.

Here is the text of the poem:

Captive Audience

The world is sharing a recurring dream.
Every night we fall asleep
and take up the very same challenge.

All of us are running for our lives
across a parched landscape,
shoulder to shoulder
in an endless line.

An elusive shape pursues us from behind.
We know not why.
All we hear as we race forward is the person next to us,
breathing,
and the thunder of our thousands of feet
pounding the ground beneath.

Some of us tire more easily, falter, rest,
start again.
We are united in a common purpose,
In knowing there is nothing for us
but the outrunning of this,
together.

Every time we glance backward
the specter looms closer,
changing shape with each turn of our heads.
One minute a tumbleweed six stories high,
made not of brush
but of thick snarled barbed wire.
Next, feral beasts snarling at our heels,
then, above our heads, out-sized birds of prey filling the skies,
circling ever closer.
Tomorrow night our predator will reappear,
transformed,
yet again.

In this same dream
all of us share a wish.
To awaken in our beds tomorrow morning,
having returned to the world
we once so blithely shared,
each of us knowing
it was,
all of it,
only a dream.

Writer and Poet

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Tricia McCallum

Always be a poet. Even in prose.
Charles Baudelaire.

In essence I am a storyteller who writes poems. Put simply, I write the poems I want to read.[…]

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